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  1. Photo

    | 135 notes
    Photograph: Anna and Elena Balbusso
Striking illustrations from a new edition of Margaret Atwood’s The Handmaid’s Tale:

As we wait in our double line, the door opens and  two more women come in, both in the red dresses and white wings of the  Handmaids. One of them is vastly pregnant; her belly, under her loose  garment, swells triumphantly. There is a shifting in the room, a murmur,  an escape of breath; despite ourselves we turn our heads, blatantly, to  see better; our fingers itch to touch her. She’s a magic presence to  us, an object of envy and desire, we covet her. She’s a flag on a  hilltop, showing us what can still be done: we too can be saved.

    Photograph: Anna and Elena Balbusso

    Striking illustrations from a new edition of Margaret Atwood’s The Handmaid’s Tale:

    As we wait in our double line, the door opens and two more women come in, both in the red dresses and white wings of the Handmaids. One of them is vastly pregnant; her belly, under her loose garment, swells triumphantly. There is a shifting in the room, a murmur, an escape of breath; despite ourselves we turn our heads, blatantly, to see better; our fingers itch to touch her. She’s a magic presence to us, an object of envy and desire, we covet her. She’s a flag on a hilltop, showing us what can still be done: we too can be saved.

    (Source: )

  2. Douglas Coupland

    | 15 notes

    Illustration by Graham Roumieu

    Illustration: Graham Roumieu

    From Douglas Coupland’s latest book, Highly Inappropriate Tales for Young People:

    With a demented cackle, he walked away as the trash burned. Then he burst into a military marching song: I’m a juice box, I’ve been told. Doom and mayhem good as gold. Don’t you ever mess with me. I will steep your bones for tea 1. 2. 3. 4. Juice box guts are on the floor. 5. 6. 7. 8. Death and I are on a date.

    See more of the illustrations in our gallery

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