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    New Possibilities: Abstract Paintings from the Seventies 
Desmond Rayner, 84, is one of a group of older talents being showcased by Megan Piper, a young gallerist attempting to buck the obsession with thrusting youth by bringing them to London’s West End
Photograph: Desmond Rayner

    New Possibilities: Abstract Paintings from the Seventies

    Desmond Rayner, 84, is one of a group of older talents being showcased by Megan Piper, a young gallerist attempting to buck the obsession with thrusting youth by bringing them to London’s West End

    Photograph: Desmond Rayner

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    Photographer David Liittschwager captures the amazing range of our world’s biodiversity by placing a cube in different habitats and recording whatever moves through it
Liittschwager’s frame placed on the Temae Reef off the Pacific island of Moorea Photograph: David Liittschwager

    Photographer David Liittschwager captures the amazing range of our world’s biodiversity by placing a cube in different habitats and recording whatever moves through it

    Liittschwager’s frame placed on the Temae Reef off the Pacific island of Moorea Photograph: David Liittschwager

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    Sharpen your crayons and face down your existential crises with a spot of calming colouring-in © Ryan Hunter and Taige Jensen

    Sharpen your crayons and face down your existential crises with a spot of calming colouring-in © Ryan Hunter and Taige Jensen

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    Hassan Hajjaj’s portraits from Marrakesh capture the colour and spontaneity of his childhood in Morocco. His sitters – ‘not just musicians but the snake charmer, henna girl, bad boy, male belly dancer’ – often wear clothes he has designed, standing in spaces totally covered by patterns he has chosen, and the photographs are eventually set in a frame he has constructed. Read more here

    Hassan Hajjaj’s portraits from Marrakesh capture the colour and spontaneity of his childhood in Morocco. His sitters – ‘not just musicians but the snake charmer, henna girl, bad boy, male belly dancer’ – often wear clothes he has designed, standing in spaces totally covered by patterns he has chosen, and the photographs are eventually set in a frame he has constructed. Read more here

    (Source: )

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Welcome to our new photography blog. In this forum, which makes up part of our revamped photography page, the Guardian and Observer picture editors and photographers will all pitch in with news and views and answers to questions – on anything in the photographic world that has caught our eye or rattled our cages. We hope you will respond and contribute to the discussion by commenting, suggesting new topics or posing questions for us. Guardian picture editor Fiona Shields will try to explain some of the thinking behind the selection of photographs in the Guardian and Observer, a subject that always arouses readers’ curiosity – and sometimes their wrath.

Find the blog here. Photograph: Vince Caligiuri/Getty Images

    Welcome to our new photography blog. In this forum, which makes up part of our revamped photography page, the Guardian and Observer picture editors and photographers will all pitch in with news and views and answers to questions – on anything in the photographic world that has caught our eye or rattled our cages. We hope you will respond and contribute to the discussion by commenting, suggesting new topics or posing questions for us. Guardian picture editor Fiona Shields will try to explain some of the thinking behind the selection of photographs in the Guardian and Observer, a subject that always arouses readers’ curiosity – and sometimes their wrath.

    Find the blog here. Photograph: Vince Caligiuri/Getty Images

    (Source: )

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A selection of stories, photos, quotes, video and audio from guardian.co.uk, curated by James Walsh, Hannah Waldram, Carmen Fishwick and the Guardian's editorial team. We are also editors of the news tag.

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