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    Perhaps it was a lonely childhood that fostered the director’s extraordinary visual imagination. Famed for films like Edward Scissorhands and Beetlejuice, the acclaimed director is also renowned for a ghoulish aesthetic. And his new film, about a boy who brings his dead dog back to life, is no exception
Photograph for the Observer by Richard Saker

    Perhaps it was a lonely childhood that fostered the director’s extraordinary visual imagination. Famed for films like Edward Scissorhands and Beetlejuice, the acclaimed director is also renowned for a ghoulish aesthetic. And his new film, about a boy who brings his dead dog back to life, is no exception

    Photograph for the Observer by Richard Saker

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